Archive for April 2006

Eric Sink on the Business of Software 07 Apr

Book image: Eric Sink on the Business of Software“Did I ever tell you the story of my first business?

“Let me see if I can remember the whole thing. I was fourteen, I think. They were running some kind of a TESOL summer institute at the University of New Mexico, and I was hired to sit behind a desk and make copies of articles from journals if anybody wanted them.

“There was a big urn full of coffee next to the desk, and if you wanted coffee, you helped yourself and left a quarter in a little cup. I didn’t drink coffee, myself, but I did like donuts and thought some nice donuts would go well with the coffee.”

Foreword to “Eric Sink on the Business of Software”

Internship in Graphic Design 10 Apr

If you know a student in graphic design or web design looking for a paid summer internship in New York City, tell them about Fog Creek!

The Development Abstraction Layer 11 Apr

A young man comes to town. He is reasonably good looking, has a little money in his pocket. He finds it easy to talk to women.

He doesn't speak much about his past, but it is clear that he spent a lot of time in a soulless big company.

He is naturally friendly and outgoing, and quietly confident without being arrogant. So he finds it easy to pick up small gigs from the job board at the local Programmer's Cafe. But he rapidly loses interest in insurance database projects, vanity web pages for housewives, and financial calculation engines.

The Development Abstraction Layer

Muriel Spark, 1918-2006 15 Apr

“‘You begin,’ he said, ‘by setting your scene. You have to see your scene, either in reality or in imagination. For instance, from here you can see across the lake. But on a day like this you can’t see across the lake, it’s too misty. You can’t see the other side.’ Rowland took off his reading glasses to stare at his creative writing class, whose parents’ money was being thus spent: two boys and three girls around sixteen to seventeen years of age, some more, some a little less. ‘So,’ he said, ‘you must just write, when you set your scene, “the other side of the lake was hidden in mist.” Or if you want to exercise imagination, on a day like today, you can write, “The other side of the lake was just visible.” But as you are setting the scene, don’t make any emphasis as yet. It’s too soon, for instance, for you to write, “The other side of the lake was hidden in the fucking mist.” That will come later. You are setting your scene. You don’t want to make a point as yet.’”

— from The Finishing School

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Historical Archive

1111 posts over 14 years. Everything I’ve ever published is right here.

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